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WEDF Talk: Erik Spiekermann

Great to see Erik Spiekermann back in Bristol. We’ve been to lots of his talks over the years and he never disappoints!

Here’s what the WEDF have to say:

This talk will talk type, and WEDF are thrilled to welcome Erik Spiekermann, presenting his career in type, old and new technologies and how he utilises them both in the work he produces today. We’ll also hear from Jonathan Doney, the current Chair of the International Society of Typographic Designers (ISTD) who will not only introduce Erik, a board member and former President of ISTD, but also talk about the society and how it has become recognised as the authoritative body for typography worldwide.

Warning: This lecture may contain four-letters words* and a German accent. Erik is presuming the audience will have an advanced knowledge of typographic terms and an interest in words and letters.

Erik will talk about the path from letterpress printer to graphic/type designer and back to letterpress printer. He will tell us stories about the studios he has started along the way notably MetaDesign and Edenspiekermann which are both operational in several countries, and how he invented the digital distribution of fonts with FontShop, designed lots of typefaces and today has ‘progressed’ to making digital typefaces into wood type. He now runs an experimental letterpress workshop in Berlin that designs, prints and publishes. Amongst other things, it uses over 500 cases of wood type from 8 to 60 Cicero, the German equivalent of a ‘line’, aka 1 pica, but about 7% larger. (You were warned about the advanced knowledge of typographic terms!)

Erik always follows the motto, “Don’t work for arseholes, don’t work with arseholes”.

*The Yanks say that Erik has a potty mouth!

Erik and Jonathan return to Bristol 11 years after their first trip here together on their ISTD ‘Kern Up the Volume’ tour when they really wanted a branded tour bus but had to settle for public transport!

WEDF Talk: Telling Stories

Very happy to promote the next WEDF talk at the Arnolfini, Bristol.

Wednesday 18 January 2017, 19:00 to 21:00

In 2001 Jim Sutherland co-founded Hat-trick Design, consistently one of the top three most awarded design agencies in the UK (and number one in 2011). He left in 2014 to set up Studio Sutherl&.

Jim has rebranded the Natural History Museum, Wimbledon Lawn Tennis, Land Securities, Williams F1, Prostate Cancer UK, National Museums Scotland, Welsh National Opera, and University of Westminster. He has designed over 50 stamps to date for Royal Mail – including this year’s Agatha Christie set.

He has won over 150 professional awards. These include 78 projects in D&AD with eight nominations and two yellow pencils: and 35 nominations in the Design Week Awards – twice Best in Show. He has judged D&AD eight times (as Foreman of the Branding Jury this year), as well as the Design Week, Loeries (SA), Kinsale, Roses, ADNC and Fresh Award schemes.

He has published several books, including a children’s book Hide & Eek! which won a yellow pencil at D&AD in 2014, and Eeormoo? He is currently working on publishing projects in Spain, Switzerland and Brazil, and a book about joy in design.

Craig Oldham is a Designer, Educator, Writer, Publisher, Curator, Letter-writer, Website-Putter-Upper, Lamenter, Yorkshire man, and founder of the eponymous practice, Office of Craig.

He’s worked with a lot of people you will have heard of, and a lot of people you probably haven’t. His work has been celebrated internationally on television, in press and books, exhibitions and festivals, and been described as “absolutely magnificent” by The Guardian; “passionate and impressive” by Deyan Sudjic, director of the Design Museum; “Superb” by Jeremy Deller; “Terrific” by Ken Loach; and “Beautiful” by Grayson Perry.

He also moonlights on committees, global awards juries, educational panels, as well as consulting for arts festivals and acting as a Trustee for creative industry charity D&AD.

In just over 10 colourful years, Craig has won almost every industry award going and been named as one of the most influential designers working in the UK today.

He still drinks copious quantities of tea and, apparently, swears too much.

http://www.arnolfini.org.uk/whatson/wedf-talk-telling-stories
http://wedesignforum.co.uk/events/telling-stories/

 

Dorset Youth Dance

This month we have had the pleasure of working with Activate Performing Arts to brand and advertise a community arts project, Dorset Youth Dance (DYD).

DYD work with young people and provide creative and technical contemporary dance training, leading to a number of community performances.

 

 

Inside Out Dorset 2016

Extraordinary Events in Extraordinary Places

This year Inside Out Dorset (IOD) takes place 16 – 25 September, 2016. As always, Lost & Found Creative supported Activate Performing Arts, delivering all branded communications (posters, event literature, programme and signage).

This year Activate celebrated their 25th anniversary and to mark the occasion, Lost & Found worked with them to launch a new Inside Out Dorset website.

We wish Activate and the IOD team a successful (and dry!) festival.

To see work completed in previous years, please see: Inside Out Dorset Case Study

This case study will be updated in due course.

St John’s Smith Square

Throughout 2015, Lost & Found Creative – in collaboration with Phillip Southgate, Emily Penny, Caroline Jones and Richard Owsley – rebranded the London church and music venue, St John’s Smith Square.

In January 2016, the website launched, and was the last piece of the initial branded suite. It is great to see this venue go from strength to strength. We believe the rebrand has breathed life into this wonderful venue. Whilst retaining its sense of heritage, it has helped broaden the musical and educational offering, attracting a younger audience and range of performers.

Supporting some strong new messages and colours is a flexible visual language utilizing motifs from the architecture to form patterns. It is subtle and refined, historical, yet modern and intended to complement imagery of the performers and the venue. Used across all communications, the application of this graphic pattern can be toned up or down to have more or less graphical impact as appropriate. Time will tell, but we really think this brand approach and application has everything to evolve and grow as St John’s Smith Square continue on the next phase of the journey.

Inside Out Dorset 2016

We are pleased to announce that we will once again be supporting Activate this year in delivering Inside Out Dorset 2016 communications.

Since 2005 the Inside Out Dorset Festival – which is presented every 2 years -has shown high quality, large-scale, outdoor events to more than 100,000 visitors. Combining incredible artistic work with extraordinary Dorset locations.

This year, the event will be held in Dorset between 16th – 25th September.

See: Inside Out Dorset 2016 Website